Artist intent

clyfford_still_blackyellow_sobelspeachWhen an artist creates, inspiration comes for all possible sources: internal thoughts, emotions or external influence of people, sights, sounds, places or, yes, things. And fine art is a “thing” that generates comments, responses and reflection. At the moment the artist completes a work, the bold move of pushing the work out for acceptance sets a precedent for the artist. Will someone like it or not, or in the function of fine art for collectors, will it be liked enough to be acquired? And for what price? When the work sells, artists recognize a mild achievement – acceptance.

 

Some artists restrict how the work can be acquired and more so where the work can be displayed. In Denver, the city has the honor (or horror) of meeting Clyfford Still’s wishes that his body of works be housed in 1 formal museum dedicated solely to his works. No other city offered as Denver to house his works.  The following for his works with collectors seemed limited – but highly regarded. Of course, Still ultimately was not looking for gallery involvement in furthering his career.   Perhaps a presence of a museum will create an active market for his works – but most likely for only the elite and not the masses.

Author: Mason Hayutin

Founder, Editor and contributing writer, Mr. Mason Hayutin is recognized for his depth of experience and knowledge in technology, energy economics, and the arts (fine and visual). Having worked with recognized world class artists and their estates since 1997, Mason brings a wealth of practical experiences from installations, marketing and private sales.

An active business advocate, he successfully released the fine art documentary film LUBIE LOVE in 2009 ahead of the global auto crisis – in addition to maintaining his tenure as Vice President of GALLERY M INC. Hayutin holds a degree in Economics from Washington University in St. Louis. You can read his insight here at The Art Quarterly as well as in regional and national publications.

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