Posted By Mason Hayutin on May 28, 2019 in THE HOMAGE
As a maestro ebbs and flows through his/her painting career, influences emerge that guide the painter. Sometimes they run astray. Time usually proves an artist’s ultimate contribution. Peter Max’s contribution to contemporary fine art has persistently been flamboyant, documented and storied. His current well-being and the later period works of his name are featured, for better and for worse, by a recent article in the New York Times. We reserve judgment for his influences vs those characters who surrounded him throughout his journey.
Read full NY Times article here.
Author: Mason Hayutin
Founder, Editor and contributing writer, Mr. Mason Hayutin is recognized for his depth of experience and knowledge in technology, energy economics, real estate and the arts (fine and visual). Having worked with recognized world-class artists and their estates since 1997, Mason brings a wealth of practical experiences from installations, marketing, and private sales.
An active business advocate, he successfully released the fine art documentary film LUBIE LOVE in 2009 ahead of the global auto crisis - in addition to maintaining his tenure at GALLERY M INC. Hayutin holds a degree in Economics from Washington University in St. Louis. He is the founder of MASONmodern, a boutique real estate firm based in Denver, CO. You can read his insight here at The Art Quarterly as well as in regional and national publications.
